You know it’s a good day when you wake up and see news that one of the largest, most influencial, arguably most popular free to play MMOs get a confirmed sequel. That’s what just happened with Guild Wars 2.
When I first mentioned NCSoft were potentially developing a Guild Wars 3, people told me I was crazy, that there was no way that could be the case.
When I followed up several years later with confirmation that NCSoft were hiring programmers to create an MMO in an already pre-existing intellectual property, people said there was no way that could be Guild Wars 2. The game is too healthy, a staple of NCSoft’s roster of games, and by association, potential to make a quality game.
Yet according to multiple sources online – Inven – which documented NCSoft’s shareholders’ meeting on the 28th, and several websites that have since covered the reveal, Guild Wars 3 is already deep in development. Much further than any of us likely even thought possible after this announcement.

But what would a Guild Wars 3 look like? Will it differ from Guild Wars 2? Is it the same team working on it, and how will this ultimately affect Guild Wars 2? Especially given ArenaNet’s commitment to releasing more frequent expansions each year.
That’s what we’re going to try and find out.

The investor’s meeting began by acting chairman, Park Byeong-moo – who we’ll refer to as Park for the remainder of this video – stating that the global gaming market in 2023 is very unstable, and NCSoft has experienced difficulties both internally and externally, resulting in a decline in stock price.
With how poorly Throne & Liberty did in Korea, and NCSoft’s recent statement confirming it’s up to Amazon with the Global release to save the game, with Aion, Blade & Soul, and their mobile games all doing poorly – this was to be expected.

Park followed this up with a statement referring to the companies history over the last 20 years. “If you look back at NC’s history, there are a number of successful IPs that were developed independently in Korea.”
Which is true. Aion, Lineage, Blade & Soul. All exceptional MMORPGs that did fantastic, financially, until they were ruined by NCSoft’s mismanagement and greed.
“I am confident that NC will be able to develop its capacity for sustainable development again.” – With regards to new intellectual properties? Unlikely. Potentially, by expanding on already existing intellectual properties like Lineage, Aion or Blade & Soul because they already carry a fanbase.

He then goes on to confirm “Innovation for change has already begun,” further elaborating on NCSoft’s Global vision by stating “this year is NCSoft’s first step forward as a global game company.”
“I dare say it’s the first year,” explaining that they’re in the process currently of releasing numerous games that fill a variety of different genres – some of which haven’t been done before, like the new open-world Trailblazer game, among many others.

The CEO, Kim Taek-jin is in the process of traveling around the world at present, in an active effort to expand not only their brand, but also their scope and games by engaging in Global collaborations.
As noted, one of the most important routes for the companies’ success moving into the future, is “establishing a foundation for globalization,” along with “continuous investment to increase new IPs.”

2024 is going to be a very important year for NCSoft and its shareholders, with much of its potential success riding on how well received Throne & Liberty is Globally.

A question was asked of Park, “NC West has been running a deficit for 8 years, and I don’t understand why the person in charge remains the same.” NC West is the North American studio in charge of Lineage, Aion, Guild Wars, and Blade & Soul across America, Europe and Oceania.
Park goes on to respond to this by confirming that originally, NCSoft had six studios within the United States, and after extensive work, with likely quite substantial costs, every studio was integrated into one: ArenaNet. ArenaNet is the developer behind Guild Wars and Guild Wars 2, and it’s at this point that the revelation was made concerning Guild Wars 3.

“ArenaNet are currently working on Guild Wars 3, looking at this process, we have considerable competitiveness. Although it is not completely profitable” – referring to ArenaNet – “I believe that it has increased its competitiveness.”
ArenaNet and the Guild Wars intellectual property have proven to be the continued driving force behind NCSoft in recent years, looking at their sales breakdown by region from the 4th quarter of 2023, you’ll see that “NA/EU sales grew by 15% quarter over quarter due to strong sales of Guild Wars 2.”

Park further elaborates on NC West by reiterating this is their “first year Global leap forward,” but they are also “reorganizing the Global headquarters.”

Park talked a little about he, the COO and CEO’s claims of excessive financial compensation, even in light of their continued stock price decline, but navigating further down, we see a question asked concerning NCSoft’s reputation – and how brand value has fallen recently.
I just want to point out, this isn’t a recent occurence. This is a reputation that has been deteriorating for the better half of 2 decades.
Park states that NCSoft has a “negative image among streamers in the gaming industry,” and that these creators will likely change their opinion about them after seeing the quality games they plan on releasing in 2024.
I haven’t seen a single game announced by NCSoft that screams a significant alteration in terms of quality. Or a drastic departure from what they’ve become synonymous with.

The rest of the Investor’s meeting went over topics that were unrelated to Guild Wars, but it looks as though they’re anticipating Guild Wars 3 will be a large driving force behind the studio’s expansion into the Western gaming market.
Which could very well be true. Guild Wars 2 is keeping the studio afloat right now. Guild Wars 3 could bring an entirely new audience to their games. But let’s take a look at what people have to say.

Honestly, I think Guild Wars 3 has the potential to be a phenomenal game so long as the people that made Guild Wars 2 stick to a formula that people love. There’s no need to reinvent the wheel, just optimize and improve on what worked.
But at the same time, I don’t forsee this game releasing for many years. Probably sometime after 2030. So they have plenty of time to craft the perfect formula.

Until then, there’s always Blue Protocol or Throne & Liberty, right? Right?

Back in September, 2023, I first heard about Abyss Online, an indie developed PvP sandbox MMO. Like most indie MMOs – the several dozen in development at present – I added it to a backlog of games I’d one day check out, granted sufficient progress had been made.
However, as part of a new “What is MMO” series I plan on doing, I thought, y’know what? Let’s go ahead and take a look. What’s the worst we could find?
Admittedly, I shouldn’t have asked myself that because what I found was both cause for alarm, and simultaneously piqued my interest.

Abyss Online is an indie MMO. Indie MMOs don’t have the best track record in the industry – very few indie MMOs ever fully release, typically running off with money investors and backers put into their game, or running out of money all together, and ceasing operations.
While I’m not saying Abyss Online is going to end up a scam, I will advise players to do their due diligence and always be cautious when backing or supporting a studio with no history of successful releases.

On their website, Abyss Online labels themselves as an “expansive online RPG.” Not an MMORPG – there’s no “massively multiplayer.” There’s no “multiplayer” listed in any capacity. “Online RPG” describes an RPG world that is persistently online – not accessible offline.
However, in October 2023, during Gamescom in Singapore, they listed themselves as being an MMO. I’m going to give them the benefit of the doubt here and assume they haven’t realized that there is a contrasting difference between an “online RPG” and “MMO,” and hope this isn’t to mislead potential players.

The game didn’t always go under the “Abyss Online” moniker. Rather, it was built as “Metagates.io,” META being an acronym for “Most Effective Tactics Available.”
They sold NFTs. They sold Founders Packs and game items via Blockchain. But ultimately decided that this wasn’t the direction they wanted to take, and removed any and all crypto elements – citing “no real gamers would play any crypto game,” which is true.
I don’t know a single person that has told me “Y’know what, Stix? I would love if ArcheAge 2, the Riot MMO, Ashes of Creation, Blue Protocol were a blockchain MMO.” Not a single person. Because they’re actually sane.
Their implementation – or even thought to introduce any crypto elements are of immediate cause for alarm to me. Sure, the crypto market has been in a rapid state of decline over the last year. Was that the reason?
It’s unlikely we’ll ever know, and honestly that’s okay. Metagates is no longer a thing. They have since taken core assets and technology from Metagates and replaced it with Abyss, with a stronger focus on gameplay instead of crypto. A good step in the right direction.

MMOBomb actually held an interview with the CEO of the studio developing Abyss Online, Nick Liverman, and they asked him why this information wasn’t made public. The answer.. was concerning.
Instead of being transparent and admitting they had already existed as a game in the past, they chose to hide it. This was, as Nick put it, not his fault.
Rather, he trusted the experts he had paid when they said they should omit any connections to past crypto scams because – for whatever reason – they believed it would be more positively received if someone found it out and spread that information out of context rather than tackling it head-on, with their own narrative.
It’s impossible for me to give any input here – yes it sounds very shady. I don’t know why anyone would opt to do this. Hiding things just makes you look guilty when you’re inevitably found out. And you always are.
They claim they’re not a scam – and I’m moderately inclined to believe them. From what I’ve seen and read, they do seem passionate about creating something tangible.

That’s about everything worth noting with regards to their history and the current state of the game. If you’re still watching, you’re probably wondering what kind of game it is. If not, then you’re probably back in NIKKE farming Waifu’s and I totally get that. I’m grinding the Anniversary myself.

It was confirmed that they will not be free to play. Rather, they’re opting for a premium buy to play business model. I really don’t think this is the way to go.
I genuinely haven’t seen an indie MMO that I think is of a quality that would warrant a premium purchase. Indie game? Sure. Indie MMO? No. And while Abyss might be the first, you’re asking players to take a risk on something that has been proven repeatedly to be a bad decision.
Their reasoning for this is that they want to polish their anti-cheat and DDoS systems before exploring with free to play months, otherwise they’ll be overrun with cheaters. Over the last year, we’ve seen several MMOs release as buy to play titles.
All of them have a handful of players left, and are converting to free to play business models because the alternative is announcing an end of service. I’m not a fan of the ‘ol switcheroo, releasing as a buy to play title, then relaunching as a free title. Bless Online did this, and to this day players make fun of Neowiz for it.
It feels cheap, but I get it. Studios need a return on their investment, and this is one of the easier ways to go about obtaining that. But it is at the expense of their players. Although that’s just my opinion. Because on the other hand, this provides paying players a way to support the devs by purchasing their game.
And that’s fine if they know the game will transition from a premium title to a free title at some point, but is disingenuous to players that are unaware of it.

The devs have plans on holding regular test phases every month. PvP tournaments, dungeon runs, bug-hunt events. There is a test-client on Steam for interested players, which allows you to see the game in real time before investing any time or money into it.
I think this is another step in the right direction, as it’s difficult to trust an indie MMO without hands-on experience with the game in question.

Questing will be a little different to what we’re used to in MMOs. It seems as though they’ve implemented a learning algorithm that will tailor NPCs and their respective personalities, including quests, potentially leading you to entirely new quests – that other players don’t have, new areas that other players can’t access yet.
More and more studios are implementing systems like this and I think it makes for a highly customizable experience for players, but also leaves the world feeling a little disconnected. I think it’s a very cool idea, and I genuinely can’t wait to see new MMOs implementing it as a feature so Mrs Stix and I can compare how our worlds differ.

It utilizes a hybrid combat system, blending action and targeting together.
The game is in Alpha testing right now so admittedly the combat does look a little rough but that’s subject to change and judging a game based off of Alpha footage is a little absurd, given the time between Alpha, Beta and launch is potentially years, if not decades, as some indie MMOs have proven.
From their Pre-Alpha trailer released a few days ago, the game looks early in the stages of development. It doesn’t look bad – it looks like it needs a few years before it’s ready for actual play, but Steam lists it will be releasing in to Early Access on April 18th, 2024.
I do not think this game is even remotely close to being in a ready state, and I don’t believe 4 months is really going to make any semblance of a difference. I’m not the only one with this concern, as others have made their thoughts public on Youtube.

Do I think Abyss Online is a scam? No. I think they have genuine ideas, goals, aspirations, but have no idea what they’re really doing – setting unrealistic goals like “releasing in April 2024,” “listening to people when they tell us to hide our past instead of owning up to it,” and much more.
Will this game ultimately release, or will they fall victim to the indie MMO curse the genre has become known for? I can’t say. I do genuinely wish them all the best, and hope this small spotlight either helps them in terms of feedback, or redirects additional interest to them as a game.
Any and all criticism and praise is equally as valuable in the development of a game your community can enjoy in my opinion. And they definitely have a long way to go.

Abyss Online is a buy-to-play MMORPG.

It utilizes a hybrid combat system, blending action and tab targeting together, while providing a large sandbox world to explore and make your home in.

Title: Abyss Online
Status: Upcoming
Graphics: 3D
Genre: MMORPG
Developer: Old World Labs
Publisher: Old World Labs
Playerbase: N/A
Rating: Note: There is a rating embedded within this post, please visit this post to rate it.

The game utilizes a completely open, sandbox world offering endless freedom to explore at your own pace.

The devs have plans on holding regular test phases every month. PvP tournaments, dungeon runs, bug-hunt events.

I think the Abyss Online team have genuine ideas, goals, aspirations, but have no idea what they’re really doing – setting unrealistic goals like “releasing in April 2024,” “listening to people when they tell us to hide our past instead of owning up to it,” and much more.
Will this game ultimately release, or will they fall victim to the indie MMO curse the genre has become known for? I can’t say. I do genuinely wish them all the best, and hope this small spotlight either helps them in terms of feedback, or redirects additional interest to them as a game.
Any and all criticism and praise is equally as valuable in the development of a game your community can enjoy in my opinion. And they definitely have a long way to go.

Arthdal Chronicles is a beautiful upcoming hybrid combat Cross-Platform MMORPG developed by Netmarble and Studio Dragon.
It features a deep, extensive narrative, while being interconnected with the Korean Drama of the same name.
The game will take place within the same world, expand upon factions, families and entire regions encountered within the TV series, with Netmarble claiming they wanted to turn Arthdal Chronicles into a Global intellectual property. A Korean Game of Thrones, as it were.
And while that is definitely a grandiose goal to set – which will be very difficult to attain – Netmarble released footage from G-Star showing us what the game is going to look like. Footage we’ve never seen before.
And that’s what we’re going to look at today. I’m excited to see what the game looks like.

Arthdal Chronicles seems to feature a hybrid action combat system. When it was announced, Netmarble claimed it was going to run a full action combat system, but judging from what we’ve seen in the trailers, that doesn’t seem to be the case.
You can see your character locked on to an enemy, with a red selection icon encompassing the target.
Movement and actions are both very realistic and incredibly fluid. I actually thought for a cross-platform title this looked pretty good. Definitely a higher quality product than I gave them credit for when I first saw the trailer released a year or two ago.
They didn’t show much in terms of area or world diversity: All we saw were some forests and rocky areas, along with acouple different monster types. Whether they feature deserts or snowy regions remains to be seen.
We also can’t really discern how open the game seems to be at present. What we were shown was very narrative-driven, meaning it was scripted and supported by the story.
But Korean MMOs aren’t known to really impose much of a focus on story, so this is a nice change.

Unfortunately that’s all that was really shown. And from that single video, I can say with 100% certainty that if the game comes out looking AT LEAST as good as this, then it’ll be pleasant to look at and play.
But it might also be a pay to win mess. Highly segregated. Mostly auto-play. We don’t – and cannot know currently until test phases are held. Which I’m eagerly looking forward to.

Tarisland held a Global Beta recently, and reviews were mixed. Some people thought – for a cross-platform MMO, it was actually pretty good. Others claimed it was about as mobile-oriented as they’d expected.

Nevertheless, the studio confirmed earlier this week that not only would they be attending Gamescom 2023, making their “grand debut” for the Global audience, but they’ll also show off the latest changes made to the game with an updated schedule for Closed and Open Beta tests.
Given Tencent confirmed the game would be releasing Globally in 2023.. they’re really going to have to pull these Beta’s outta their asses pretty quickly to push the game out within their self-imposed deadline.

Palia is a free-to-play MMORPG.

Palia is a very different type of MMO in so that it doesn’t have any type of combat, and is entirely PvE focused, taking the form of a life-sim, allowing players to build relationships with NPCs, build and cultivate their own land, and engage in numerous PvE activities without worrying about engaging enemies.

Title: Palia
Status: Upcoming
Graphics: 3D
Genre: MMORPG
Developer: Singularity 6 Corporation
Publisher: Singularity 6 Corporation
Playerbase: N/A
Rating: Note: There is a rating embedded within this post, please visit this post to rate it.

The game utilizes a completely open, world allowing players to explore, build and build relationships with NPCs and players.

There are no dungeons, no raids and no PvP.

Palia is one of the most unique MMORPGs I’ve come across and that opens up avenues that most games just won’t ever have access to, but at the same time, will likely also appeal to a much smaller demographic of player.

I haven’t played Palia – Mrs Stix, on the other hand, has covered, in rather great detail, her experience over the course of Palia’s Closed Beta.

She’s been playing the game extensively since the game went into Open Beta, and while a very different type of MMO – it doesn’t really have combat, dungeons, raids, or a vertical type of progression typically found within the MMO genre, this is some of the most fun she’s had in a while.
Mrs Stix is a Savage and Ultimate raider in Final Fantasy XIV, and a Mythic raider in World of Warcraft, so being able to take it easy in Palia as a casual MMO is a very different experience for her.
You can sign up and play the Open Beta right now if you’re interested. This is a very different MMO to what players are used to, and that.. admittedly has left many players criticizing it. But it definitely carries the potential to appeal to a niche audience that no other MMO caters to.

I feel like we don’t talk about Tree of Savior enough. This is a fun game. This is a good looking game. Yet at the same time, it’s so often overlooked because of how badly it was received when it launched.

Nevertheless, in the face of adversity, the studio has pushed on, never stopping their cycle of updates and improvement, with the latest slew of updates having been released on July 19th.
While there is new gear, a host of bug fixes, various different boosts and buffs for players, the most noteworthy addition is the new Engineer class. New classes are always fun and breathe new life into the game. Black Desert Online is proof of that.

We’ve been eagerly anticipating Project BBQ for years. It was announced around the same time as Blue Protocol, and where Blue Protocol went through numerous changes over the course of its development process, launching in Japan this year with a full Global release in the beginning of 2024, Project BBQ.. well, it hasn’t faired so well.
Neople, the studio behind the game released 2 several minute long trailers elaborating on the type of game it was supposed to be. A large, open-world MMORPG set within the Dungeon Fighter Online universe.
Allowing for seamless exploration and transition between regions, cities, dungeons. And then last year they confirmed that Project BBQ was – for all intents and purposes, canceled. But not in the way we had expected.
On the contrary, they had canceled Project BBQ so they could have it undergo a metamorphosis into something they were under the impression would be far more lucrative in the long-term, and thus Project AK was born.
Which we have a 1 minute trailer for – the upcoming Project AK, henceforth known as Arad Chronicle: Kazan. With the trailer, came the announcement of the title, including an entire overhaul of the core game.

So let’s take a look.

Arad Chronicle retains its world setting. Taking place within and expanding upon the larger Dungeon Fighter Online universe, this new title from Neople is confirmed to have scrapped the MMO aspects of Project BBQ and instead put a focus on the single-player experience.
When asked why this was the case, as Dungeon Fighter Online is an MMO, the upcoming Dungeon Fighter Overkill is an MMO, and Dungeon Fighter Duel is multiplayer, it seems a little unusual to make Arad Chronicle the first incarnation of a Dungeon Fighter title to not be influenced by or at least cater towards a multiplayer audience.
The devs stated that they saw a larger potential in what they explained was essentially “Elden Ring.. in the Dungeon Fighter Online world.” Yes, they’ve taken direct inspiration from Elden Ring, and have confirmed that Arad Chronicle, instead of being an open-world action MMO, would instead be a “soulslike action RPG.” That honestly isn’t bad.
Elden Ring was a great game, and while Dungeon Fighter is a great MMO, it makes sense they’re not confident a new title in the franchise would do too well in the long-term. Especially given how critical MMO players are of new games these days.
It just wouldn’t be a smart business move for the game.

Arad Chronicle is set 800 years before the events of Dungeon Fighter Online, allowing players to experience the tale of General Kazan and Archmage Ozma.
At present, Arad Chronicle is confirmed to be releasing on to console: PlayStation and XBox, however when they were hiring last year they were hiring programmers with experience in integration between XBox Live, PlayStation Network, and Steam. Which sounds as though they’re alluding to PC and console cross-platform functionality.
Honestly we need more PC/console cross-platform MMOs. Too many MMOs release cross-platform between PC and mobile, and while Arad Chronicle isn’t an MMO, if it’s a “soulslike game,” it’s probably going to have some type of multiplayer functionality.

I’m incredibly excited for Arad Chronicle. This is a beautiful looking game that could really allow the Dungeon Fighter universe to expand into areas it had never been capable of reaching.
And while Korea isn’t known for making the best MMOs, they do make some solid non-MMOs. There is no 2023 release date confirmed at present, but a 2024 test phase wouldn’t be out of the question.
Neople nor Nexon have confirmed if there will be a premium box price for the game or if it’ll be free to play, but the former is much more likely than the latter. Yet also much more difficult to monetize.

It’s that time of the month – New Gacha games rise.. and new Gacha games fall. Some might surprise you. Some might not.
Hey, my name is Stix and welcome back to your monthly recap of how your favorite Gacha games are doing on a month by month basis. These stats are purely Mobile – and do not include PC stats for reference.

Last month, Uma Musume dethroned Genshin Impact as the #1 Gacha game in the world. This month, Genshin Impact took back its crown, with a worldwide revenue of $95 million dollars and 3.8 million new players. Soon there will be more players playing Genshin than there are people in the world. This is up from last month’s $90 million dollars.
At #2 we have Honkai: Star Rail.
Now I’ll admit right out the gate – Star Rail would easily be the #1 highest grossing most downloaded Gacha game in the world for the month if it didn’t only have a week’s worth of earnings to base this off of, but in a short 6 day period, Honkai: Star Rail averaged $42 million dollars in revenue and over 30 million players.
HoYo have now successfully dominated the genre with 2 of the most popular Gacha games in the world.
#3 is once again occupied by Fate/Grand Order, which has pretty much secured itself the #3 spot every month for the entirety of 2023 thus far, with $35 million dollars in revenue, and 200,000 new downloads. This is up quite significantly from last month’s $25 million dollars.
NIKKE takes the #4 spot – something haters would’ve told you was impossible 6 months ago, earning $25 million dollars and 300,000 new players. Absolutely crazy numbers, although down slightly from last month’s $30 million dollars.
Uma Musume has secured the #5 spot – down from the #1 spot last month, with $25 million dollars in earnings and 60,000 new players. Those are still absolutely insane numbers given this game still remains pretty much a Japan exclusive.
Blue Archive has taken the #6 spot – maintaining a top 10 spot every month since this year began, with $13 million dollars in revenue and 200,000 new players. This is down slightly from last month’s $14 million dollars, but by no means a sign of decline.
#7 somehow goes to Raid: Shadow Legends, with a whopping $16 million dollars in revenue and 700,000 new players. This is down from last month’s $18 million dollars. I don’t know how this continues to make it into the top 10 – I played 15 hours of it and it was the least free to play friendly Gacha I’d ever played.
The #8 spot goes to Summoners War, with $14 million dollars in revenue and 260,000 new players. This is on par with last month’s $14 million dollars – surprisingly not boosted by the recent release of Summoners War Chronicles, which didn’t even make the top 10 this month.
Coming in at #9 is Arknights, finally breaking back into the top 10 – just barely, with $11 million dollars in revenue and 200,000 new players. This is slightly down from last month’s $12 million dollars. Arknights is my favorite Gacha game and I’m glad to see it make its way back into the top 10.
Dislyte makes #10 here for the first time in.. well, forever, I think? With $11 million dollars in revenue and 1.2 million new players. This is up significantly from last month’s $2 million dollars.
These are absolutely phenomenal numbers, showing that the game has reached a second wind. Or a massive event that has been marketed to millions of people in a short time-frame.
#11 is taken by Diablo Immortal, with $11 million dollars in revenue and 400,000 new players. This is on par with last month’s $11 million dollars, and goes to show that the game has achieved a very stable income and rate of new player acqiusition. Somehow.
At #12 we see Project Sekai, with $11 million dollars in revenue and 200,000 new players. This is down quite a bit from last month’s $15 million dollars, but still crazy numbers given there isn’t a single person I know that actually plays the game.
Heaven Burns Red comes in at #13, a Japanese exclusive somehow managing to earn $9 million dollars and 100,000 new players, which is down by over half from last month’s $20 million dollars. Nevertheless, absolutely crazy numbers for a single-region release.
Marvel Snap, another Gacha I’ve never heard anyone play takes the #14 spot, with $9 million dollars in revenue and 800,000 new players. Mostly kids, probably. This is down from last month’s $10 million dollars.
#15 is secured by AFK Arena. A title I guarantee you never saw coming, with $9 million dollars in revenue, and 400,000 new players. This is up from last month’s $7 million dollars. Can you believe an AFK Gacha brings in more money than Honkai Impact 3rd and Tower of Fantasy combined?
Summoners War Chronicles managed #16, with $7 million dollars in revenue and 900,000 new players. Unbelievably high rate of new players comparatively to the earnings, which are down from last month’s $8.2 million dollars.
Dragon Trail: Hunter World – a Gacha I’ve never actually heard of took the #17 spot, with $6.4 million dollars in revenue and 400,000 new players. This is down from last month’s $8 million dollars. Evidently, the game is incredibly popular, I just somehow never knew of its existence.
Memento Mori comes in at #18, and is arguably a Gacha nobody ever expected to have the lasting power it has, with $6.4 million dollars in revenue and 70,000 new players. Down from last month’s $8 million dollars but still higher than almost every other popular Gacha game, somehow.
Fire Emblem: Heroes takes the #19 spot, with $5.6 million dollars and 20,000 new players only. This is up from last month’s $5 million dollars, and proof that the Fire Emblem franchise can thrive in any genre.
And finally at #20, we have Street Fighter: Duel, with $5.5 million dollars in revenue and 510,000 new players. This is down from last month’s $11 million dollars, but given the state the game and company is in right now, it’s not unexpected. On the contrary, I’m surprised it still made so much.

This was quite the interesting month. Honkai: Star Rail launched, and has arguably already made hundreds of millions of dollars across every platform combined, dethroning Genshin and becoming the fastest growing Gacha game in history. I’m curious the effect it’ll have on Honkai Impact next month, honestly.
We saw Tower of Fantasy not even make the top 20 – being bested by idle RPGs that don’t even require playing, continuing its trajectory into obscurity one month at a time.
Punishing Gray Raven barely made $2 million dollars, but with its PC release on May 15th we may see a significant boost next month. Other releases like Higan Eruthyll made a mere $1.8 million dollars in its launch month, Echocalypse and Demian Saga both made less than a million dollars.
Admittedly, there has been a decent shift in the genre in the last month and I’m glad to see it. Competition is always important.